|Under Pressure- Come Clean LP cover|
From memory, I could only remember seeing this band feeling like jaw had dropped to the floor. I could have died happy at that moment, while I observed this five-piece monster of a rock n roll band completely destroying this shitty bar, and playing a seamless, uncompromising 30-35 minute set that left me wanting even more at the end. There were absolutely no breaks between songs, and the guitar player crawled on top of things, did a lot of scary things, went outside, and scared the hell out of all of us attendees by coming inches short of slashing our necks with his guitar neck. The vocalist had a firm stance in the middle of the floor, belting out terrifyingly genuine feelings through the microphone.
I specifically remember the bartender telling the band after their set, "Hey, ya'll can't play here ever again!", and the response from one of the band members being something like, "Um okay, we were never going to anyways, we are from fucking Canada." One month later, this bar closed forever and became the Black Flower. Good job guys.
Under Pressure (Winnipeg, Manitoba, Canada) wasn't only "great" or "good", but for me, completely inspirational and directly influential to my drum parts for bands I would later be a part of, such as Stripmines (NC), and later, some of the more recent Much Worse (MN) stuff I'll be doing on the new LP. Back in 2008, seeing Under Pressure, and listening to their records didn't make me want to create more of what I was doing, but instead inspired me to completely destroy it and start all over again (i.e. quit the band I was in, which I did quit it, gladly and for the better). In that area in life, the timing could not have been more perfect as a means for self-improvement and musical discipline.
Another great thing I remember about Under Pressure playing in Raleigh was smuggling pizza out of my job's kitchen for this band the day after their show. This action would very well be my foot in the door for doing DIY hardcore show stuff later on down the road. These habits and understanding for the needs of touring bands would quickly create great contacts for me and, only a year later, would send me booking really neat DIY hardcore shows of my own all over Raleigh. I can tell any of you first hand, that sometimes bands come through and they can be a true catalyst for members of the audience, and for me it took a band setting an example of "how to do it". This would keep me excited enough to understand that I would diligently keep at this stuff for years, and that I would care about doing it for a very long time. It also made me practice drums nearly every day and still does, and it made raised the bar for me deciding on what kind of bands I would eventually be doing for the years following seeing them.
I genuinely felt like this band was pushing the boundaries of what's actually possible in songwriting while still making hardcore punk that sounded so completely perfect and musical. Riff heavy rhythm parts, minus too many leads, much like the Ramones were so popular for. This band was the equivalent, or more, of seeing something like a mix of Japanese hardcore or Bl'ast, but with a grimy melody carrying every part uniquely, just like in the song "Muddy Waters". The songs carry a fine distinction from one another and contrast tempos frequently throughout the record. Perfect guitar tone, and the vocals belt out in a realistic, non-contrived format, laid out in a well thought out process. To say that I recommend this record to you is a criminal understatement, for I actually feel like you have not been alive yet until you've heard this record start to finish
RIP Under Pressure
Listen: Under Pressure- Come Clean (Full Album)